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DEVELOPING YOUR ZEN PRACTICE ONCE YOU HAVE BEGUN

The following pages are meant both for people who have recently taken the Introduction to Zen evening as well as for practitioners who would like encouragement in the development of their practice.
Here is an overview of what follows in case you wanted to access just what interests you.
For beginners to Zen, we strongly suggest you read over all this material.

The Structure of Zen: Why It Is Necessary
Zazen Guidelines
Kin-Hin Guidelines
Zendo Procedure at SMZ
Some Practical Solutions to Difficulties that Arise in Our Practice
Home Practice
One-to-One Teaching: Daisan or Dokusan

Zen Training at SMZ
Jukai
Zen Council Practice
Dharma Talks
The Altar
Chanting
Suggested Reading
Where to Purchase Zafus/Seiza benches
Warm up Exercises
Glossary of Zen Words


THE STRUCTURE AND DISCIPLINE OF ZEN:
WHY IT IS NECESSARY

(Please note: If you have not done the Introduction to Zen evening, we suggest you don’t read this page until you have done so, as it will make more sense to you then.)

Now that you have had the experience of Zen meditation with a sangha, in a zendo, you will surely be aware that Zen is a rather disciplined practice. There is a certain way to sit, a certain way to hold your hands, a certain way to walk and so forth. Why is this so?

Ultimately, Zen is about seeing into the nature of reality- the true nature of reality and not just what appears on the surface. It is about seeing ‘who I really am’, not ‘who I think I am or think I should be’. But in order to do this, one must first be in the present moment – with the ‘just this’ and the ‘just now’ of the present moment. This is an extremely difficult thing to do. The reason is that our mind keeps taking us out of the present moment into either the past or the future; we so rarely seem to be in the present. Either we’re re-writing the past, what it could have been and so forth, or we’re worrying about or planning or imagining the future And, if we are in the present moment, most of the time our mind views the ‘just this’ and the ‘just now’ of that moment as unacceptable, criticizing and judging, wanting it to be something else or wishing that it not change.

Zen trains us to remain in the present moment, to accept the present reality just as it is, and thus, gives us the chance to see through the trappings of that moment into what it really is. Seeing into the nature of reality (kensho in Japanese) is called awakening or enlightenment.

However, remaining in the present moment requires discipline and structure. And that is why, in the zendo, we begin with the disciplines of the body, hands, walk and so forth. Only when the body is relatively still, only when the prescribed structures are accepted and mindfully carried out, can the mind begin to move towards stillness.

Learning to accept reality as it is, is the very core of Zen practice. In its foundational stage, this is all that we are meant to do in our practice. And, in zazen, this simply means to come back, over and over and over, to the reality that is the belly breathing a breath. Anything else is too much.

Zen is not a feeling, it is not an idea, it is not some goal to be reached, it is not bliss being realized. It is about practicing coming back over and over and over to the ‘just this’ and the ‘just now’, and not following the illusions and the seductions of the mind. It is about developing ‘our muscle’ of awareness and attention which, with practice, will eventually hold us in the ‘just this’ naturally and effortlessly.

However, as with anything else, in order to do it we have to – do it. There are no short cuts in Zen . As an ancient Zen master said: "If you practice Zen, you must actually practice it". And the structure and discipline of Zen is the tool which helps us do it; to stay the course, in order that we can wake up to who we really are and so live free and generous lives. For once we can develop the ability to remain with the ‘just this’ in zazen, we will discover that we can remain with whatever happens in our lives – no matter what it is – and find that it is always – all right.

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ZAZEN GUIDELINES

Posture and Breath
As you learned in the Introduction to Zen evening, posture is the basis of attention in zazen practice. It is the body that is breathing, and if the body falls out of alignment, the mind will tend to wander. These posture guidelines apply whether you are sitting on a zafu, a seiza bench or a chair.
The body: Keep the spine extended, with a slight curve in the small of the back. The pelvis is tipped slightly forward with the weight on the "sits" bones. When you catch yourself slumping or leaning forward or going off-center in any way, just re-direct the attention to getting yourself in balance. As you were shown during the introduction, if you are sitting on a zafu keep both knees on the zabuton and sit on the first third of it. If you are on a chair, sit on the first third of the chair and don’t lean back. Both feet flat on the floor with legs slightly apart.
The head: The head is aligned to the erect body, with the ears in line with the shoulders, chin parallel to the floor.
The hands: The classic position of the hands in zazen is the cosmic mudra: hands resting on your legs with the right palm up and the left palm resting on it, thumbs slightly touching making an oval. Variations are permissible in our zendo, as shown to you at the Introduction.
The eyes: The eyes are always open in zazen, cast down at about a 45 degree angle, not staring forward. This is because Zen is, ultimately, a continuous practice of being awake to life and we don’t walk around with our eyes closed.
The breath: The breath is the focus of attention in zazen practice. Since it is the belly (the hara) that produces the breath, it is much more practical and do-able to turn your attention to your belly as it moves in an out, because the breath can become too vague as a point of focus.
If you choose to count in order to practice being present, you can put a count of 1 to 10 to each breath, and then return to 1. If you drift off, always resume the count at 1 and don’t continue where you left off.
For further practical steps and encouragements to help you maintain your focus on breath and the belly that creates it, please refer to Some Practical Solutions to Difficulties that Arise in Our Practice.

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KIN-HIN GUIDELINES

Posture:
Maintain the same posture as in zazen.
Hands and Arms: The hands in kin-hin are the cosmic mudra upside down: Left hand on the bottom, right hand placed on top, with the thumbs tucked in, knuckles face up, hands close to your chest. The forearms are in a horizontal position, so that you walk with a sense of authority.
Whenever the kin-hin clappers sound, it is a signal for you to change hand position either from gassho to kin-hin position or vice versa, or to bow or to stop. Please try to become familiar with these hand changes and do them. It is part of mindfulness practice.
Eyes: The eyes are cast down and front while keeping the head straight. Do not bend your head down, a natural tendency.
Feet: Place your attention on your feet as they touch the ground, following one step after the other. First the heel followed by the ball and toes, all placed on the floor with attention. Take small steps so that you can maintain your posture. During slow kin-hin, gaps can exist between you and the person in front of you. During fast kin-hin, gradually catch up to the person in front of you, leaving no gaps. In slow kin-hin, we walk as individuals. In fast kin-hin, we walk as one.
Mindfulness: In general, remember that kin-hin is not a break. It is walking meditation as opposed to sitting meditation and the same degree of mindfulness and concentration must apply.

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ZENDO PROCEDURE AT SMZ

Each Zen center has its slight variations in practice. Please read over the information below and refer to it whenever you are unclear about a procedure in the zendo. Please don’t feel overwhelmed by these guidelines. They will soon become familiar to you. If you are unsure what to do next when in the zendo, just look discretely to see what others are doing at that point.
And remember that this disciplined procedure is a necessary part of Zen structure and training.

Preparation: Always try to arrive at least 10-15 minutes before any sitting so you can have time to turn your attention to the work at hand. Line your shoes up neatly. Zafus, seiza benches and stools from the zafu closet are available for your use. If you become a member, you are able to bring your own zafu or bench and have a designated place for it, with your name on the shelf.
Please do not bring anything into the zendo except, if you need it, the Short Verses chant card available on your left at the entrance to the zendo Please keep this card tucked out of sight under your zabuton until ready for use.
When you first arrive, you may place your zafu/bench or stool on your place in the zendo and then return to the outer room until the gong sounds.

Entering the zendo: Enter at the striking of the gong, or earlier if you wish. (No gong sounds for the Monday-Friday morning sitting when you should ry to be on your place by 7:25 am, if possible).
Bow in gassho when you enter the zendo. Gassho is the raising of your hands, with palms together, in front of your face. It is an expression of respect, gratitude, humility.

When you get to your place: Bow in gassho facing your place (a sign of respect for those who are sitting or will be sitting next to you ), then turn and bow to the opposite row(s), even if the mats are still empty.
If you are already seated, and the person opposite comes in, return the bow from zazen position with hands in gassho. Please do this only to the person opposite and not anyone else.

Beginning zazen: There is a short period of about 5 minutes before zazen formally begins and is a time for you to collect yourself and become present.
The bell rings once. Rise. Turn to the altar as Sensei enters for lighting of the incense and the opening bow. After the incense is lit, Sensei will do the full prostration but all others just bow from the waist as the bell rings. Only one bow, except for special occasions. No opening procession for the weekday morning sittings. At this time, the Remembrance Book is also carried in and placed on the altar. It contains names of people or other sentient beings who you may wish to hold in the sitting. The names are not read aloud. More about the Remembrance Book can be found on its front page. Before the sitting, it is located on the small table by the entrance to the daisan room.

Opening chant: We then chant The Gata of Purification. Please refer to your chant card.
Note: There is no chanting at all during the weekday morning sittings.

Zazen (1st period): Sit, facing the other side of the zendo. The bell rings 3 times (the signal for zazen to begin). Zazen for 25 minutes. At close of 25 minutes, the bell rings twice (the signal to end a zazen period). Bow, with hands in gassho. Stretch you legs if you need, as it is important you have feeling in your feet before you rise, but please do this mindfully and don’t slump etc. when zazen is over. Please wait for the teacher to rise first. In the absence of a teacher, wait for the jitsu.

Kin-hin: The clapper will sound for kin-hin. This is the signal to bow, with hands in gassho. Second clapper means to turn, place hands in kin-hin position, and begin the slow kin-hin. After a few minutes of slow kin-hin, the clapper will sound again. Bow, with hands in gassho, then resume hands in kin-hin and begin the faster kin-hin pace, closing any gaps that may have developed. After some time, the clappers will sound again. Place hands back in gassho and keep moving until you reach the front of your place. Stop. When everybody is in place, clapper will sound, everybody bows and sits. In general, whenever you hear the clappers sound, you need to change hand position in some way. Just see what everyone else is doing until you get the idea of it.

Zazen (2nd period): During the 2nd period of zazen, please face the wall. This is part of the Soto Zen tradition and allows for greater concentration in the sitting. The second period is followed, again, by kin-hin.

Monitor. A monitor may move through the zendo during the 2nd sitting to help maintain attention and assist with posture. The monitor will lightly touch you on the shoulder before making any necessary adjustment. Please remember the monitor is not there to be critical but to help you with the maintenance of your attention and your posture.
Daisan. During the 2nd period, the teacher(s) leaves the zendo for Daisan along with a student.
At the sound of the two bells that end the period, turn immediately back to face the center.

Dharma Talk (3rd period): In the 3rd and final period, a Dharma Talk by a teacher or a short talk we call ‘Words of Encouragement" given by a teacher or a senior student, is given. The exception is on Thursday evening when there are 3 periods of zazen and no talk. All Dharma Talks are available in streaming version online to members, as well as on CD’s.
The Gata on Opening the Sutra is chanted before the Dharma Talk.
At the end of zazen, the bell rings twice. Rise. Chant sheets are distributed to all who need them.

Chanting: The Heart Sutra. Sit. Then we chant The Four Great Vows 3 times, followed by the Evening Gata chant done by the chant leader. Rise. Chant sheets are collected.

Close of formal sitting period:
Turn to the altar for the closing bow.
Announcements are made at this time. Please remain standing. After announcements, the clapper will sound once. Bow and then carry your zafu, bench or stool to the closet and put it back where you found it.

Leaving the zendo: If you must leave the zendo during a zazen period, please do so only if absolutely necessary and only during kin-hin. Simply move in kin-hin until you are by the door, bow, leave and then return, waiting by the door with hands in gassho until your turn in the l ine comes up. Bow, slip into the line, and resume the kin-hin hand position. Do not simply join the line at the end. Should you need to leave the zendo during zazen because of some emergency situation, please do not retrun until the next kin-hin.

Samu (work practice): Samu is carried out at the close of our Saturday morning sittings. It lasts about 15 minutes and is a short period of silent, mindful work, cleaning the zendo, preparing the tea that follows and so forth. You will be given simple instructions on how to carry out the task assigned to you. Extended samu is practiced daily during our out of town sesshins.
Samu is part of the Zen experience and all Saturday participants are expected to stay for samu unless there are serious reasons why this is not possible.
Samu is followed by an optional tea time with sangha members.

Oryoki (the formal meal in the zendo): This is the traditional meal in the zendo which is practiced at SMZ in a modified form during zazenkai (all day sittings).

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SOME PRACTICAL SOLUTIONS TO PROBLEMS THAT CAN ARISE IN ZAZEN

I have difficulty following the breath. What can I do?
Don’t think of following your breath but rather follow your belly- the muscles and physical sensations of your belly as it moves out and in. It is your belly that breathes and it is in the belly that the breath should begin. Don’t breathe in your chest but train yourself to slightly push the belly forward as it takes in breath, then wait for it to release and wait again for it to take up the new breath, keeping your chest still. If this is still too vague, place a count of 1 to 10 on the breath, returning to the 1 whenever you get lost in thought or drift away.

I keep trying to conquer my thoughts. Why can’t I seem to do this?
Don’t get into the trap of battling with your thoughts. Let them be there. They have a right to exist. The more you battle your thoughts, the stronger they get. Allow them to be there while choosing to return, over and over, to the rise and fall of the belly breath.

When I try to come back, it rarely seems to be total – I seem to be still partly with my thoughts. Am I doing it wrong?
Don’t expect the return to your belly breath to be perfect. Most of the time it will probably be muddled. Don’t worry about this. It’s a normal part of practice. It is what one could call the experience of ‘bothness’ –both belly/breath attention and thoughts at the same time. Sometimes the breath wins out, sometimes it loses to the stronger thoughts. But as long as your intention is to keep bringing the awareness back to the breath and you keep striving to do this, you are doing perfect practice.
If you stop believing the illusion that you have to come back cleanly and purely, that your enormously seductive thoughts should somehow roll over and go away; if you allow ‘bothness’ to be present, slowly your strengthening awareness will make its way back to the belly and its breath, your thought will fade away by itself and your practice will be developing naturally, as it should.

I always seem to be criticizing myself. It’s very discouraging to keep wandering off.
Don’t criticize. Don’t criticize that moment when you discover that you have wandered off into thought or day dreams or drift once again. You wandered off unconsciously. You didn’t want to wander off- it just happened. To criticize this unconscious action is a complete and utter waste of time. It will get you nowhere. Everyone has thoughts. Why shouldn’t you? Just strive to return to the belly as best you can. This is true practice.

Can I listen to sounds around me to keep me in the moment if following the breath proves too hard at times?
Absolutely. Just hear the sounds but don’t name or follow them. Keep moving to the next sound. Return to breath awareness practice as soon as you can.


What should I do when I’m tired or in pain?
Again, don’t fight it. If you’re tired, that’s your ‘just this’. Just find your ‘not-tired’. You do this first by straightening your spine and regaining your posture and then keeping it straight. The spine holds substantial energy. Then find your belly. When you lose this again (for you will) just repeat. If you are tired before a sitting, drink water to get oxygen into your blood.
You do the same for pain, if it is normal, "I’ve never used those muscles" pain. If you are straining something or having severe difficulty, please speak with a teacher, the jitsu or your practice leader.

Can I move during zazen?
Try not to. It is part of the discipline. Itching and needing to move are simply distractions brought on by your mind. However, if you are in pain, it’s fine to adjust yourself discretely. If you feel that sitting on the floor for 3 periods is too hard – which it can be for all who begin Zen – please don’t hesitate to switch to a stool. Just bring it into the zendo with you and fold it flat against the wall. Switch to the stool after kin-hin.

My legs fall asleep. What can I do?
This often happens to people as they begin sitting on the floor, either on a zafu or even on a seiza bench. It means that you are sitting in a way that impedes the flow of blood in your legs. Try doing stretching exercises before sitting to develop your muscles. Also, you may need to sit a bit HIGHER on the zafu or bench. You can turn the zafu on its side for extra height or add a small pillow (pillows can be purchased from catalogs found in our library section). If the problem persists, please speak to one of the practice leaders or to a teacher.

All in all, remember that Zen can seem muddled. We must be willing to be in the flux of such ‘awareness’ development until it sorts itself out by itself and then, by itself, holds us in the reality of ‘just this’.

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HOME PRACTICE

Zazen (sitting meditation) must be practiced daily in order to develop the discipline and structure of remaining evermore in the present moment, the place where Zen begins. Here are some suggestions for developing a daily zazen practice.

When:
In the morning, as soon as possible after getting up. If you need a beverage or something to eat, by all means but try not to get involved in the newspaper or TV or your computer etc. before your zazen, as the relatively "quiet mind" of the night will be broken. Try to sit at more or less at the same time every morning. After some time, you may wish to add a second sitting in the evening. Eventually, two sittings a day are necessary.

Where:
If you can sit with the sangha in the morning, or on some mornings, you are highly encouraged to do so. However, since you will be sitting at home at least some of the time, here are some suggestions for a place to sit:
If possible, keep your sitting area permanent. You can set up a small altar with candle, flowers, incense and even a Buddha if you wish. See Altar. If you don’t have a zabuton and zafu or bench, use a straight back chair in which to sit until you can purchase the mat and zafu/bench. Don’t rig up your own zafu as you may not be getting the right support. You can use a blanket on which to sit instead of the zabuton but never sit on the floor without some cushioning underneath.

How:
Unless you have an empty room, it is suggested that you sit facing the wall since facing your belongings could be distracting.
If you sit on a chair, sit on the first third of the chair without leaning back. Keep the same posture as you would on the floor.

How long:
If you are a beginner, start with 10 minutes and slowly extend the time to 25 minutes.
You can, of course, begin with 20-25 minutes as well.
Get a kitchen timer so that you don’t have to continually be looking at the clock.
Remain sitting until your time is up, no matter how fidgety you may get. Keeping the body in place is the first hurdle of Zen practice.
If you miss a day, come back the next day. Discipline and structure develop slowly. Don’t criticize yourself for any lapses. Just come back next time .

Preparation:
Approach your sitting place with mindfulness and attention. Never rush to your mat. A few moments of preparation to help you be present will allow you to begin zazen in as concentrated a place as possible.

Be patient with yourself. Developing a Zen practice takes time.

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ONE-TO-ONE TEACHING: DAISAN or DOKUSAN

A relationship with a teacher has always been widely acclaimed as central to optimum Zen practice and realization.
This teaching in Zen is individual. It is called daisan or dokusan.
Daisan is a short meeting about your practice with either or both of our two teachers, and takes place during a scheduled sitting period.
All newcomers to our zendo, including beginners, are encouraged to come to daisan once or twice in order to meet our teachers in their teaching capacities. However, after these initial meetings, daisan is limited to members of Still Mind Zendo. You may continue to go to both teachers for daisan for as long as you wish although you may also wish to remain with just one of them.
Daisan is basic to personal development in Zen practice. It is for checking up on details of your practice, for support in difficulty, for encouragement, for challenge as well as for sharing any insights you may have through your sitting.
The meeting is short so it is important to be focused on what you wish to talk about. Check with the jitsu or the practice leader you had for the Introduction to Zen about the procedure for going to daisan.
Both our teachers offer teaching in ‘following the breath zazen’ , in shikantaza as well as koan work.

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ZEN TRAINING AT SMZ

Zen practice develops incrementally and its core is the practice of zazen.
Zazen is the essential base for awakening and must be maintained at slowly increasing levels of challenge if insight is to develop. Regular attendance at the zendo is strongly encouraged.
After developing a practice that can sustain the 3 periods of zazen with relative ease, you are encouraged to attend one or more of our extended sitting days called zazenkai..
This can then be extended to attendance at one of our weekend retreats or sesshin, two of which take place at a retreat center outside of the city while a third takes place at our zendo . Two week long sesshin take place each summer.
Service to the sangha is also an important part of Zen training. Practitioners serve in different capacities: taking on different service positions in the zendo; greeting newcomers; setting up the zendo; opening up in the morning and so forth; as well as taking on various organizational duties necessary to sustain our space and our sangha.
Once you have been sitting with us for a while, you are encouraged to step forward and offer your service as it may be needed. This is the Zen way. Just speak to the jitsu or to one of the practice leaders.
As stated above in the Daisan section, regular meetings with a teacher are central to Zen development. You are encouraged to go to both teachers, if you wish, for as long as you like. Eventually, however, you will probably want to stay with one of them on an on-going basis. This relationship develops naturally and we have no formal procedures in this regard at SMZ.
Some students go on to become senior students by invitation from their teacher. Senior students assist our teachers in their work and take on a greater leadership role in the zendo. Jitsu (or head monks in the monastic tradition) who supervise the zendo in the absence of a teacher, come from the ranks of senior students. We currently have two jitsu.

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JUKAI

Jukai means “to receive the precepts”. It is a Zen practitioner’s formal entry into the Way of the Buddha. The program consists of a study and preparation period followed by the jukai ceremony which usually takes place in May. A person usually needs to be sitting with the sangha for a year to be eligible for the program.

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ZEN COUNCIL PRACTICE

The Native American practice of council, used in a growing number of White Plum sanghas, is an important part of our growth as a Zen community. It takes place once a month (please check schedule)

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DHARMA TALKS

A dharma talk by one of our two teachers or by a guest teacher, is given on Tuesday evenings (our primary sitting of the week), as well as at zazenkai (all day sittings) and sesshin (retreats). All recent dharma talks are available to members online in streaming version or as a possible download, or in CD version for not so recent talks, available through our librarian .
The talks are listed, and can be a further source of teaching for practitioners as they cover a wide range of Zen topics.
Shorter talks, which we call Words of Encouragement, are given by senior students from time to time on a Tuesday evening or on Saturday, and, on many Saturdays, one of our teachers also gives Words of Encouragement, some of which are excerpts, along with some commentary, from the ancient teachings as well as from modern masters.
When listening to a talk in the zendo, please face the speaker and remain, if possible, as close to zazen position as possible. If you are in the back row, adjust your position slightly, if necessary, to enable you to see the speaker.

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THE ALTAR

The altar is a metaphor for each of us.
On it is found objects that signify the four elements of which we are all composed:
Fire...the candle
Air....incense
Water....the water bowl
Earth....the flowers
It also holds a statue of the Buddha.
Buddha, which means the enlightened one, is....our enlightened self.

Therefore, whenever we bow to the altar we are, in effect, bowing to our whole self.
This can be a teaching in itself.

In addition to the above, our altar holds the Remembrance Book in which we write names of people or other sentient beings we wish to hold in our practice. The Remembrance Book can be found on the small table outside the daisan room before each sitting (except in the weekday morning sittings) for you to write in names if you wish. It is carried up and placed on the altar at the beginning of the sitting. The names are not read aloud.
More on the Remembrance Book can be found on its front page.

Also, lying in front of the altar, is the shippei, the teaching symbol given to a Zen teacher on transmission.

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CHANTING

Profound teachings, in any tradition, are always chanted, and Zen is no exception.
We chant one of the Short Verses at the beginning and close of our all sittings (except at the daily morning sittings) as well as before a Dharma Talk.
On your way into the zendo, please take one of the Short Verses cards from the holder by the zendo door and keep it under your mat until ready for use.
We chant the Heart Sutra or The Great Sutra of Perfect Understanding, which is the heart of Mahayana teaching, at the close of our sittings on Tuesdays and Saturdays. Sheets are distributed.
On zazenkai days and at sesshin, we also chant, in addition to the above, The Sandokai or The Identity of Relative and Absolute.
And, on special occasions such as the celebrations of the Buddha’s Enlightenment and the Buddha’s birth, the Ancient Lineage of the White Plum Asangha is chanted by Sensei.

Here are the chants for you to look over and to learn by heart if you continue sitting with us.

Gata of Purification
All the evil karma ever created by me of old
On account of my beginningless greed, hatred, and ignorance
Born of my conduct, speech and thought
I repent of it now

Gata on Opening the Sutra
The Dharma, incomparably profound and infinitely subtle
Is rarely encountered even in millions of ages
Now we see it, hear it, receive and maintain it:
May we completely realize the Tathagata’s true meaning

Great Vows For All
Creations are numberless–
I vow to free them.
Delusions are inexhaustible–
I vow to put an end to them.
Dharmas are boundless–
I vow to perceive them.
The Enlightened Way is unsurpassable–
I vow to embody it


Evening Gata
Let me respectfully remind you
Life and death are of supreme importance
Time swiftly passes by and opportunity is lost
Each of us should strive to awaken....
Awaken....
Take heed.
This night your days are diminished by one.
Do not squander your life.



Maha Prajna Paramita Heart Sutra
(The Great Sutra of Perfect Understanding)
Avolokitesvara Bodhisattva (The Awakened One Of Compassion),
doing deep prajna paramita,
Clearly saw emptiness of all the five conditions,
thus completely relieving misfortune and pain.
O Shariputra (a disciple), form is no other than emptiness, emptiness no
other than form; Form is exactly emptiness, emptiness exactly form;
Sensation, conception, discrimination, awareness are likewise like this.
O Shariputra, all dharmas are forms of emptiness, no born, not destroyed;
not stained, not pure, without loss, without gain; So in emptiness there is
no form, no sensation; conception, discrimination, awareness,
No eye, ear, nose, tongue, body, mind;
No color, sound, smell, taste, touch, phenomena;
No realm of sight…no realm of consciousness.
No ignorance and no end to ignorance
No old age and death and no end to old age and death;
No suffering, no cause of suffering, no extinguishing, no path;
No wisdom and no gain. No gain and thus the bodhisattva lives prajna
paramita with no hindrance in the mind, no hindrance, therefore no fear,
Far beyond deluded thoughts, this is nirvana.
All past, present and future Buddhas live prajna paramita,
And therefore attain anuttara-samyak-sambodhi (perfect enlightenment)
Therefore know, prajna paramita is the great mantra, the vivid mantra, the
best mantra, the unsurpassable mantra;
It completely clears all pain–this is the truth, not a lie.
So set forth the Prajna Paramita Mantra,
Set forth this mantra and say:
Gate! Gate! (Gone, Gone)
Paragate (Gone Beyond)
Parasamgate! (Fully Beyond)
Bodhi! Svaha! (Awake, Rejoice)
Prajna Heart Sutra.

IDENTITY OF RELATIVE & ABSOLUTE (Sandokai)
The mind of the great sage of India is intimately
Conveyed from West to East.
Among human beings are wise ones and fools,
But in the Way there is no northern or southern patriarch.
The subtle source is clear and bright.
The tributary streams flow through the darkness.
To be attached to things is illusion.
To encounter the absolute is not yet enlightenment.
Each and all, the subjective and objective spheres are related
And at the same time independent.
Related, yet working differently, though each keeps its own place.
Form makes the character and appearance different.
Sounds distinguish comfort and discomfort.
The dark makes all words one,
The brightness distinguishes good and bad phrases.
The four elements return to their nature as a child to its mother.
Fire is hot, wind moves, water is wet, earth hard.
Eyes see, ears hear, nose smells, tongue tastes the salt and sour.
Each is independent of the other.
Cause and effect must return to the great reality.
The words high and low are used relatively.
Within light there is darkness,
But do not try to understand that darkness.
Within darkness there is light,
But do not look for that light.
Light and darkness are a pair,
Like the foot before and the foot behind in walking.
Each thing has its own intrinsic value and is
Related to everything else in function and position.
Ordinary life fits the absolute as a box and its lid.
The absolute works together with the relative
Like two arrows meeting in midair.
Reading words you should grasp the great reality.
Do not judge by any standards.
If you do not see the Way, you do not see it even as you walk on it.
When you walk the Way, it is not near, it is not far.
If you are deluded, you are mountains and rivers away from it.
I respectfully say to those who wish to be enlightened:
Do not waste your time by night or day.

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SUGGESTED READING

These books, among others, are available in our library for reference.
However, only members are able to borrow books.
Books can be purchased at East/West Books, 76 5th Avenue (between 13th and 14th Streets).

The Still Point: An Introduction to Zen Meditation
John Daido Loori
An excellent basic primer on the "technicals" of Zen practice

On Zen Practice
Taizan Maezumi and Bernie Glassman
Basic Zen teachings from Maezumi Roshi and other Zen teachers

Zen Mind, Beginner’s Mind
Shunryu Suzuki
A Zen classic, comprised of various talks given by Suzuki Roshi

Everyday Zen and Nothing Special
Charlotte Joko Beck
Zen in everyday life

Buddha
Karen Armstrong
An excellent book on the life of the Buddha

Zen Around the World
Annellen and C, Alexander Simpkin
A concise history of Zen
No longer in print but available second hand through Amazon

The Buddhist magazines:
Tricycle
Buddhadharma
Shambhala Sun

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MEDIATION SUPPLIES

Zafus and seiza benches are available for your use and can be found in the zafu closet. Please only take those marked SMZ. The others belong to sangha members. Eventually, you are encouraged to bring your own zafu or bench, leaving it in the closet with the others. If you do this, please speak to the jitsu about putting your name on it. We have catalogs for Carolina Morning Designs
(1-888-267-5366 or www.zafu.net.) and Dharmacrafts (1-800-794-9862 or www.dharmacrafts.com) if you wish to purchase a zafu/bench. They are located in the zendo’s magazine rack. East/West Books also sells zafus.


Carolina Morning Designs   Zafus, zabutons etc

DharmaCrafts   more zafus, zabutons, incense etc.

Samadhi Cushions   and yet more meditation supplies

Triple Tell Timer by Shake Awake A silent timer we recommend for timing your sitting at home

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WARM UP EXERCISES

Please note:
We have an illustrated version of Warm Up Exercises created by members of our sangha. If you would like a copy, please ask the practice leader or the jitsu any time you are at the zendo.

Warm-Up Exercises

It’s a good idea to loosen up before sitting (or during breaks in longer sitting) whenever possible. The following sequence of poses will take about 15 min. Always consult with your doctor before beginning any exercise program.

One: Begin in a standing position, feet about hip-distance apart. Take a nice, slow inhale, and as you exhale, slowly roll your upper body down toward the floor, starting with the top of your head. You can keep your knees bent, and only go as far as you comfortably can. Take hold of opposite elbows with your hands, and let your head dangle freely. Stay with a few breaths, and when you’re ready, release your elbows and slowly roll back up with your inhale, letting your head come up last.

Two: You can also do this forward bend with the support of a chair. Roll down slowly until your arms rest on the chair seat. Breathe a few breaths, and when you’re ready, roll slowly back up on the inhale.

Three: You’ll need a little bit of wall space for this. Sit on the floor, and with either your right or left side in contact with the wall, scoot your seat as close to the wall as you can. Bring your legs up the wall and let your upper body rest on the floor. Stay here and breathe for a few minutes.

More Stretches

Begin in your usual zazen posture. It need not be cross-legged. You can do these seated poses while sitting on a seiza bench or chair.

One: Cross your hands behind your head and with your elbows out, and as you take a nice slow inhale, arch your back a little and look up toward the ceiling.

Two: As you exhale, round over. You can repeat steps one and two a few times, matching the movements to the breath.

Three: As you inhale, bring your arms straight up and alongside your ears.

Four: As you exhale, take an easy twist to your right. You can place your left hand on your right knee, and your right hand behind you to help keep you upright.

Five: As you inhale, return to facing front with your arms alongside your ears. As you exhale, take an easy twist to the left.

Six: As you inhale, return to facing front, bring your arms back up alongside your ears, as you exhale, take a gentle side bend to the right. Inhale to come upright, then as your exhale, take a gentle side bend to the left.

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GLOSSARY

daisan  private interview between teacher and student for examining correct practice
dharma The living truth, the universal teaching
gatha verse
gassho raising the hands with palms together as an expression of respect, gratitude, humility, or all three
han a wooden implement used as a signal
jisha attendant
jitsu supervisor of the zendo who assists the teacher
koan a perplexing paradox that points to ultimate truth
kin-hin walking meditation
karma the process of cause and effect
monitor person who helps maintain zendo discipline
oryoki the formal meal in the zendo
roshi master teacher
samu work practice
sensei teacher
sangha the Zen community
seiza bench small bench on which to sit
sesshin a Zen retreat
shikan-taza just sitting
shippei the Sensei’s teaching stick
sutras scriptures
Tathagata the "thusness" of the enlightened state; another name for Buddha
teisho talk on the Dharma; Dharma Talk
tenzo cook; person in charge of food
zazen sitting meditation
zazenkai all-day sitting
zabuton mat on which one places the zafu or bench
zafu pillow on which one sits
zendo meditation hall
zenji great or revered master

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